The Black Cauldron Twitter, the microblogging tool, seems to be at odds with literary coverage. After all, Twitter’s 140 character limit makes a lengthy exploration of books pretty much impossible.
But that doesn’t mean that Twitter can’t be used to supplement blogs, podcasts, videos and straight-up reviews, interviews and articles on books.
Most of Canada’s major publishers are tweeting. Penguin, HarperCollins and Random House are pointing us to media highlights, author successes and even the general moods of their offices. For some authors, John Hodgman comes to mind, tweeting is a useful way to maintain a vibrant online presence. More off-the-cuff than straight-up-blogging, there’s an immediacy to Twitter that’s pretty tough to beat.
Publicist Julie Wilson made sure that Anansi has an active Twitter presence, she’s also used the program to augment her very successful literary project Seen Reading. Quill and Quire Dead & Breakfast download , the Globe Books section and my employer are all also throwing in their two-cents, 140 characters at a time. Anyone with a blog can use Twitter, and I’d argue that the program is becoming indispensable if you want to maximize your blog traffic and online presence.
But there are also some literary projects native to Twitter. Erin Balser’s Books in 140 Sometimes in April film throws reviews, books news and other literary tidbits into the mix. It’s a lively addition to a Canadian literary blogasphere that can be a tad small and insular at times.
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Not in Canada, but still incredibly useful is Flashlight Worthy Books Exit Speed dvdrip , a Twitter project that gives us nothing but themed lists on books. Great if you’re about to head out to the bookstore or library and not sure what to pick up. There’s also Bookies
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, a group blog/twitter feed that tries to serve as a clearinghouse of discussion and ideas for book lovers.
I haven’t even gone anywhere near Twitter fiction or poetry. That’s a subject or another post.